“You were born to find evil nurses about to change their bracelets, and you were so anxious to say something, but the parents who were flirting suddenly understood your voice, “Mom, help me, I’m going to be changed…”
If you’ve been shivering recently, you’ve probably had a video of the dynamic images generated by AI, accompanied by a high-temperature narration, and a story.Fight back, hit the face, cross.The cheesy story.
For example, the above-mentioned section, the collection of “Accepting Bamboo” from Treasure Editor @Guord, is now being updated to 32 and contains 29 collections of fees, with a cumulative total of 557,000 broadcasts. In this form of “AI Animation + Narrative”, the account has accumulated 213,000 fans.
It is clear that the deep integration of content with AI technology during the New Year of the Comics has not only given rise to new forms of content, such as the Al Mythic, but has also given rise to the potential to understand old forms of content, such as speech and sand.
Industry has revealed to the short play studio that at this stage the sand sculptor/discussion of a head platform is splitting close to 70 per cent of the accounts with less than 30 per cent of the content.
The byte data for August are also supporting: The number of sand sculptor/fiction-broken supplies has risen significantly, with a single week ‘ s increase to 25 per cent or even at one point, and the overall delivery has outperformed the dynamic — the product business model has run out, and the overall ROI has actually reached about 1.2 and the TOP show has reached a million consumption on 7 days.
Given your relative familiarity with the sand sculptor, the short-time studio will focus on the “speech” and, in conjunction with an interview with the founder of Fantasia ‘ s AI, will see whether there are opportunities for a more micro-level growth in this content category and how fast this is going to go with the current AI technology.
He’s got a billion dollars to play.
Before we can dismantle the current market and production process, we need to know what the word is. It is generally based on novel texts or original storybooks, in the form of by-words or vomiting as narratives, in combination with dynamic images, tight dramas, strong emotional output (e.g., inverted face, high-intensity) and the dissemination of short video platforms, such as shivering, fast hands, etc.
Currently, this type of account is often named by “XX talk”, “XX talk move”, etc. The short play self-study room searched the key word “speeching” in a new shaking of data, and the search revealed that 5,000+ associated accounts already existed, some of which had over a million fans.
(Chanting from: new shaking)
From this point of view, it is not a new concept.
Its prototype, which originates from advertisers of online novels or cartoons, has grown rapidly due to low production thresholds and costs. @Audience said that the first collection of the book, Returning Legs, was launched in October 2022, with a total of 4.578 million playouts in 24 episodes, while the label was still “Little Cut” “Carticism.”
Today, as AI technology matures, the probative advantages are further amplified, especially in terms of reduced human costs.
“The 200-minute production of content by a person in the past month has become the limit, and the process of production of the Ai comic has been subverted with technological development.” Yang Xiaofeng told the short play self-study room that, at present, one person can produce 30-40 minutes of film in one day using the “one key to film” function of Fantasia AI and, ideally, produce up to 1,200 minutes of content per month, equivalent to a monthly capacity of 7-10 comics.
This also explains to some extent the perceived acceleration in the development of such impurities — behind the rise in supply — the collapse of core barriers.
First, the threshold has actually been lowered.
Compared to the fact that the novel IP adapted the reality of a human play and explained that it did not require a real person to come out and solved the biggest problem of traditional video production, AI gave the creator the initiative.
At the same time, in addition to AI, there has been a significant increase in production efficiency.
Watched by the short play self-study room, the shivering owner@ The old light is that since last year ‘ s high-speed development in AI began to publish a collection of 16 works on line between June 2024 and November 2024, six have been published since 14 October of this year, in large part in connection with the outbreak of the dual tracks of AI and the comics.
And technology such as Fantasy AI is moving further down the threshold, and the “one-click-in-one” function referred to above already allows for mass drawings, live videos, or even manual tips.
This is a very interesting detail — when the generation of pictures and videos is further automated, and the hints are written by AI for you, and the content of this track is either more or less compatible and one person can make a film.
Young Xiaofeng said, “In that case, you need only focus on the form of the story (and not on technical issues).”
The second is the diversity and clarity of the realization pathways.
1. Free play stream + fee unlocking
Using the @Audience account number, for example, its home page frequently uses a free-of-charge series to attract user attention to accounts or to join-up to watch the payment content, with 18 of the 19 combinations for the fee unlocking mode, with the total number of airings ranging from tens to hundreds of thousands, up to a maximum of 7.74 million.
2. Division of advertising
Thanks to the fire of the current comic track, many platforms have content requirements and provide a comical support policy, most of which do not impose a mandatory requirement on the type of comic, creating a revenue dividend window.
According to 100th of September’s comics, thousands of authors received free comics, of which TOP1 received millions per month and 5 received 300,000 per month. This month, the 100th House also launched a new edition of the free-of-charge cartoon incentive policy, Star Jump, plus various types of comics.
In a public speech, Wei Chintao, the director of the red fruit short play, also said, “We will, while increasing investment in the fruit-burning programme, also respond to the call of the National General Directorate of Radio and Television to include animated short play in the support. For high-quality pre-investment funds, at least tens of millions of levels of flow support will also be provided after they are online.”
3. Creative income + fan appreciation
In the last month, for example, it issued two sets of comic book cooperation policies, including a comic book division policy and a targeted policy: the introduction of a cash-dependant mass of a part of the play of a comic agency, with a portion of the comic strip being bought at a price of 5k; and support for the entry of individuals to earn creative income by joining the distribution scheme.
In addition, fan appreciation is a way for content to generate income. Whisperer @Aihan Mandarin — The post-00 blogger, with 2.43,000 fans, has been running red through a few-hour video recaps of a comic or novel, and 504 episodes of dynamic Sons of the Ghosts are now playing a cumulative total of 330 million.
4. Promotion of third-party novel platforms for commission
This category of content is closely related to copyright platforms such as novels, cartoons and so it is appropriate to serve as a popular platform and as a resource for the original. For example, @oldlights talk about watching the follow-up by directing users to download the AP.
It is worth noting that recently, the major copyright platforms have been open to the public on the Internet with the launch of the Tomato IP Comics Project, with more than 60,000 original versions of the tomato novels; the book will be opened in series of 100,000 master IPs, including a collection of annual TOP10 works. This trend is also likely to again lower the threshold for the interpretation of this content category and to magnify the commercialization dividend.
In addition to this, the shift to the private sphere for the payment of knowledge, e.g. for the receipt of income, and for commercial advertising, etc., is a common way of offsetting content. On the demand side, market space undoubtedly exists. The key to interpretation is also the appeal of novel-adapted scripts, the user ‘ s tolerance of images and the lower level of visual requirements relative to core content. At the same time, the image of the user overlaps with the Internet users, the short video users, and the demand for “one minute’s fun” is strong — the market for the online and novel adaptations of short plays has been validated. More importantly, the upgrading of AI technology continues to expand content capacity, and users and markets are experiencing further growth.
From “Screeching Cardinone” to “One-clicked film” and “AI” remodeling water lines
Despite the new bottle of old wine, many small and medium-sized players are considered effective entry points.
At present, the Ai Comic tracks are back and back, with short-term head links.
At the same time, as professional teams enter the field with resources, the industry dividend window narrows, and participants who are unable to get on top of the ladder, lack resources and barriers to experience have to turn to the subdivisions in search of living space.
Paradoxically, however, the vast majority of ordinary players face a technical threshold — whether the parameters of the biographic model are debugged, the words are written, or the spectrometry of the logic and image alignment, and mastering the AI tool itself requires significant learning costs.
The gap between “can do” and “can do” can be said to be the dilemma of traditional work streams.
The first challenge faced by early creators is the fragmentation of the AI tool, which often requires repeated switching between multiple tools, increasing learning costs and reducing consistency.
Plus, ordinary users do not necessarily understand the logic of the hints, repeated adjustments to the hints, the lack of satisfactory results on the cards consumes the patience of the creators, and the uncontrollable error costs make it difficult for many people to produce a complete piece.
Clearly, markets need simpler production methods. Based on the pain of ordinary users, some of the parties concerned began to try another technical route — a single-click film — as observed in the short play self-study room.
The key to this route is to build a tool platform into an automated film streaming line, to use technology certainty at the bottom in advance, to make up for most of the manual uncertainties at the front end and to load professional processes with a ” one button ” .
A single-key version of the film was created, but it still benefits from the development of the ABS and the thinking of the application players, and is something that can only be achieved at this stage of the generation of AI.
As a result, its development is also characterized by the current phase of AI application: landing speed and validation speed.
In the course of their research, the short play lab found that some of the technologists have gone quite well on this route –
Multiple AI models such as Dream 3.0, Pan-Wan 2.5, Google-Veo, Sora, which cover painting, video generation, sound cloning, mouth matching, etc., are accessed on a tool platform. The user-end logic of different models is consistent, supporting the generation of a full comic from scratch, and the extent of artificial intervention has decreased significantly.
In the case of phantom AI, for example, which provides only an inspiration for stories, AI can also automatically complete market analysis, creative outlines, chapter planning and produce more than 100 complete scripts within one day, seamlessly linked to subsequent AIS lenses and video generation.
For example, our inspiration is one thing:
The film Kung Fu Cat, where Dragon Ambassador Bao and Snow Panther fought in the martial arts gallery and fought with their bare hands.
It will be possible for AI to quickly complete the analysis and output of content, and even for the opposition to divide directly. If there are novels or complete scripts, AI is a direct adaptation.
Young Xiaofeng introduced that currently Fantasy AI supports a 200,000-word long text that is adapted to automatically generate a professional short play based on the number and duration of the set.
At the same time, phantom AI is one of the technocrats in the market that is concerned with the rising trend in popular content.
The short play self-study office learned that its platform had been targeted to enhance the taste of AI ‘ s bystander sense of humor and tumbling, making a special distinction in the type of script production to produce the narrative content of the sculptor-type.
Starting with the “Screen Planning” channel, you can go into a one-click sequence — (“Screen Shading” and “Screen Shading” spectroscopy to generate dynamic video synthesis ” “Ai” and “Auto Clip Export”). If mature scripts are made available to AI, the corresponding verbs can be automatically matched under the “principal lead model” and follow-up stages initiated by the spectroscopy are directly executed.
Young Xiao Feng indicated that, by designing in advance the coherence of the dimensions of space, light atmosphere, etc., with many cucumbers at the time of development, relative professional spectrometry could be generated according to the type of script.
This industrialization may come from the team genes of Fantasia.
The short play self-study office has noticed that the Fantasia AI background is interesting – both technical and director teams. The team managed to industrialize the AI video by incorporating past production experience and solutions into standardized intelligent workflows, such as professional director thinking into AI generation.
“The success rate of generating dozens or even hundreds of lenses at one time can be up to 90 per cent, and it is possible to synchronize the acoustic and intelligent clips with a single key, with little use for smoking.”
This co-driving advantage of content and technology is particularly prominent in the retrofitted interpretation comic applications. The one-stop visualization of stories can be initiated by ordinary users without additional professional costs:
Smartly adapted professional scripts, spectroscopy planning, spectroscopy design, matching the original atmosphere, dynamic video synthesis, multi-playing AI and sound, auto-cut and export
At the same time, the twin-track “confession + dialogue” model is better suited to the rhetoric, both to the original context and emotion and to the viewing habits of short video users, balancing efficient output with the integrity of content.
♪ Fantasy ♪
Taken together, a single-click piece is essentially a step-by-step full-process industrialization.
In the view of Yang Xiaofeng, at the previous stage, the AI tool was generally a content management system and a material management system on the workstream of the traditional animation studio, and the entire AI generation process required manual participation and users needed to learn how to write their tips.
“It is now in the form of turning every piece of production into an AI smart body, and then aggregating it into a workstream that creates a complete set of solutions. So, only by providing reference maps and narratives, the user can generate a professional spectrometer (Prompt) that quickly completes the complex lens design.”
For example, the main asset bank of Miracle AI is an example:
The system can automatically generate three views and hints for the relevant role/object/situation based on the spectroscopy, and automatically generate the pic/video hints according to the selected mode, and apply them to all spectroscopys to ensure that the core elements, including the light-shadow atmosphere, are uniform in the hundreds of bodies and that the user needs only to make targeted modifications as appropriate.
This technological logic reduces the proportion of people participating in the production process, and AI becomes the presence of intelligent assistants, further lowering the entry threshold for ordinary players.
In the case of professional players, it is more likely that autonomous adjustments based on AI-generated hints and spectroscopys will result in relatively high-quality comics that will divide the course.
♪ Fantasy Ai produced a comic strip ♪
The dividend and the reef: finding certainty in the era of “one-clicked film”
As AI technology continues to permeate, the cartoon industry faces both opportunities and risks.
The description of this subcategory, which focuses only on the present paper, is equally relevant to these epochal features and needs to be viewed calmly.
The current competition for the AI comics has become increasingly popular, and low-cost, fast-out-output rhetoric can become a new option for ordinary creators.
More importantly, the opera supply side may be gradually decentralised.
It’s rooted in technological parity under the AI wave.
In a future where everyone can create, AI tools take over the technical aspects of specialization and repetitive work, or will trigger a wave of individual creator-led content creation.
Xiaofeng Yang stated that “[future AI] would be a cloud-based workshop for one-stop project management and synergy. The Platform supports team collaboration, with the author, spectroscopyer, designer, transcriber, and composer working seamlessly in the same project, which would have required a three-to-five-person team to work together and move on.
And this brings with it the creation of an ever-widening boundaries of content.
Words are written in such a way as not to interfere with the visualization of the content of novels, and other textual content, such as brand stories, self-messages, and even individual writings, can be quickly transformed into visual dramas with the help of AI tools.
The view of a non-AI project creator can also, to a certain extent, support the tendency of the technology to create equal rights:
In this quarter, the director of the Japanese animated black horse, “The Milky Way Extreme Milky Way ” , Tomoyama, an animated by one person, with the exception of sound effects and part of the background track modeling, obtained an average of 3 million performances on YouTube per three and a half minutes.
In the view of Tortoyama Yangping, with technological progress, there is a growing likelihood that traditional models will not be necessary to make good content. So there may be some inevitable trend towards the creation of a single person-made work like Galaxy Emergency. In his view, the two production models should coexist: Large-scale works have better image quality, but the work of independent teams tends to have novel ideas and sharper styles.
But under the wind, we need to think rationally and be wary of the reef.
First, there is still a lack of representation. It is a low-threshold, web-based user base, but as far as the current list is concerned, this category is still in a developmental stage and limited in number, with significant growth in the size and content of account fans.
Second, copyright compliance is the sword that hangs. The grey area of “unauthorized adaptation” may still be a stumbling block to the development of the track, so copyrights for novels need to be recognized in advance to avoid a copyright dispute.
In addition, the risk of content homogenization is high. The low threshold means that it is easy to replicate, and once a large number of creators have piled up, it can easily lead to user aesthetic fatigue, again returning to the core values of content.
“As the model matures, it will be the ability to tell stories, and AI will do professional spectroscopes, hints, generations. You will simply have to provide stories or ideas that are inappropriate for a piece of music, and you will be able to go straight to it.”
Thus, the value of tools such as Fantasia AI lies in the emancipation of creators, so that ordinary people do not have to dwell on how to write “the specs” and instead focus on “how to read “the story well” and “the mood is not in place.”
From “one person does one play a week” to “everyone can tell a story” and really stay in the mouth of the wind and be the creators who know users and tell stories.
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